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Make real progress on jazz guitar — without getting overwhelmed

Jazz guitar can feel confusing. I make it make sense. I send out weekly lessons, warmups, and tools that help you actually play better — not just collect theory. If you're a hobbyist or a late starter trying to figure out what really works, you’re in the right place.

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Ever seen this chord in a chart?

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: The exact voicing I use for G minor/major 7 — clean, efficient, and rooted on the 1st string A minor ii V I progression that ends with this chord — and how to shift into it effortlessly A simple melodic minor scale pattern that fits this chord perfectly (and unlocks the sound) One...

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: 🎸 A rootless D7♯5♭9 voicing that adds instant tension and moves beautifully through minor ii–V–I progressions 🧠 An altered scale improv cell that gives you root, 3rd, 7th and all the spicy tensions (♭5, ♯5, ♭9, ♯9) in one shape 🎯 A voice-led progression you can steal and reuse—plus...

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: The minor 7♭5 chord voicing you can move into any key — no overthinking, just root-and-go Why two chord symbols (m7♭5 vs. ø7) exist for the exact same thing — and how to instantly decode both A one-octave Locrian scale pattern that lets you start soloing over half-diminished chords...

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: D7#9 voicing built off the 2nd string Why it works as a substitution over any V7 chord Voice-leading into Gmaj7 A soloing idea using the altered scale A picking pattern that blends alternate and sweep picking Chord of the Week This week’s chord is a D7#9 — and it’s a rootless...

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: The Gmaj7(#11) voicing that sounds advanced — but feels surprisingly easy under your fingers How to use one shape to comp in any key (as long as you know your 6th-string roots) A slick 2-5-1 with almost no hand movement — and a ton of color The arpeggio pattern that shows how...

Free Lessons Every Monday Hi Reader, It’s Kyle from Jazz Guitar Guide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: A root-on-2nd-string Dm7 chord you can move anywhere How to voice-lead up the neck in a ii–V–I progression A Dorian scale cell that lives on strings 1–3 A short lick that turns the scale into real music A ii–V–I line that uses both the chord and the cell Chord of the Week This...

Free Lessons Every Monday Hi Reader, It’s Kyle from jazzguitarguide. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: A rootless G7♭9 voicing that sounds great in any ii–V–I A slick arpeggio with built-in picking patterns for speed and clarity Voice leading tips that make your chord transitions feel effortless One easy tweak to add tension over any dominant chord Chord of the Week: Rootless G7b9...

Free Lessons Every Monday Hi Reader, It’s Kyle from jazzguitarguide.com. Each issue of Jazz Guitar Weekly brings you one chord shape and one improvisation tip — clear, simple, and ready to play. Here's what's inside: Chord of the Week: A smooth and colorful C Major 13 (rootless voicing)—perfect for jazz standards and adding richness to your chords. Easy ii–V–I Progression: How to build smooth chord transitions without complicated finger moves. Quick Arpeggio Lesson: A melodic arpeggio to...

Free Lessons Every Monday Hi Reader, It’s Kyle from jazzguitarguide.com. Here’s what we’re going to cover in this week’s lesson: The Dm9 shape I use the most A look at how it works on other string sets A ii-V-I using Dm9, G9, and Cmaj9 A Dm9 arpeggio that lines up with the voicing A short ii-V-I line built from the arpeggio Chord of the Week The chord this week is a D minor 9 (Dm9), a versatile chord that I frequently use in my day-to-day playing. Here's how it's constructed: Chord tones:...

Free Lessons Every Monday Hi Reader, It’s Kyle from jazzguitarguide.com. Here’s what we’re going to cover in this week’s lesson: How to Play the G9 Voicing Soloing with the G9 Arpeggio Using hammer-ons and pull-offs for legato playing ii V I chords and lines Chord of the Week This week's chord is a G9, built with the 3rd on the bottom, then the flat 7th, the 9th, and the 5th—low to high. The finger pattern is simple: Pointer finger plays the 3rd on the 5th string Ring finger plays the flat...